It is not easy to approach a work such as Giorgio Strehler’s Arlecchino Servitore Di Due Padroni, based on Carlo Goldoni’s Il Servitore Di Due. Scritta nel , quando Goldoni sembrava aver ormai rinunciato alla commedia, Arlecchino servitore di due padroni e tra le sue opere più fortunate. Riprende. Created in July of by Giorgio Strehler, re-interpreting the Goldoni tradition, Harlequin has seen eleven editions and three great actors: Marcello Moretti.
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Arlecchino servitore di due padroni
In classic commedia tradition, an actor learns a stock character usually accentuated by a mask and plays it to perfection throughout his career. His earliest drafts had large sections that were reserved for improvisation, but he revised it in in the version that exists today.
This page was last edited on 25 Juneat To make matters worse, the stress causes him to develop a temporary stutter, which only arouses more problems and suspicion among his masters. To further complicate matters, Beatrice and Florindo are staying in the same hotel, and are searching for each other. In the end, with the help of Clarice and Smeraldina Pantalone’s feisty servant, who is smitten with Truffaldino Beatrice and Florindo finally parroni each other, and with Beatrice exposed as a woman, Clarice is allowed to marry Silvio.
The last matter up for discussion is whether Truffaldino and Rue can get married, which at last exposes Truffaldino’s having played both sides all along.
Giorgio Strehler Directs Carlo Goldoni
The actors had a list of possible scenarios, each with a very basic plot, called a canovaccioand throughout would perform physical-comedy acts known as lazzi from Italian lazzoa joke or witticism and the dialogue was improvised. Il servitore di due padroni is a comedy by the Italian playwright Carlo Goldoni written in When the opportunity presents itself to be servant to another master Florindo, as it happens he sees the opportunity for an extra dinner. Five Classic Plays in Scots Translation.
Webarchive template wayback links Articles containing Italian-language text Interlanguage link template link number. Her brother forbade her to marry Florindo, and died defending his sister’s honor. Works by Carlo Goldoni. He is always complaining of an empty stomach, and always trying to holdoni his hunger by eating everything and anything in sight.
Beatrice disguises herself as Federigo her dead brother so that he can collect dowry money from Pantaloon also spelled Pantalonethe father of Clarice, her brother’s betrothed.
Beatrice’s servant, the exceptionally quirky and comical Truffaldinois the central figure of this play. The characters of the play are taken from the Italian Renaissance theatre style commedia dell’arte. The characters from The Servant of Two Masters are derived from stock characters used in commedia dell’arte. Association for Scottish Literary Studies.
However, as everyone has just decided to get married, Truffaldino is forgiven. True commedia dell’arte is more or less improvised without a script, so The Servant of Two Masters is not true commedia. The stock characters were used as guides for the actors improvising.
As Truffaldino runs around Venice trying to fill the orders of two masters, he is almost uncovered several times, especially because other characters repeatedly hand him letters, money, etc. Interested in keeping up appearances, Pantalone tries to conceal the existence of each from the other.
The Servant of Two Masters Italian: Retrieved from ” https: The play opens with the introduction of Beatrice, a woman who has traveled to Venice disguised as her dead brother in search of the man who killed him, Florindo, who is also her lover. But thinking that Beatrice’s brother was dead, Clarice has fallen in love with another man, Silvio, and the two have become engaged.
Goldoni originally wrote the play at the request of actor Antonio Saccoone of the great Truffaldinos in history. In other projects Wikimedia Commons.
Il servitore di due padroni – Indice generale – IntraText CT
Views Read Edit View history. Truffaldino asks Smeraldina to marry him.
The most famous set-piece of the play is the scene in which the starving Truffaldino tries to serve a banquet to the entourages of both his masters without either group becoming aware arlecchono the other, while desperately trying to satisfy his own hunger at the same time.