BORISLAV PEKIC 1999 PDF

Key words: Borislav Pekić, Expressionism, the destruction of reality, the form in . in Pekić’s trilogy: Besnilo, Atlantida, and (Rabies, Atlantis, and ). Borislav Pekić (Serbian Cyrillic: Борислав Пекић, pronounced [bǒrislaʋ pěkitɕ]; 4 February .. , novel, Ljublijana, Zagreb: Cankarjeva založba and Belgrade: Književni glasnik, NIN, Godine koje su pojeli skakavci [“The Years the. Metaproza–čitanje žanra: Borislav Pekić i postmoderna poetika. _> ; #

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It shows an imaginative resurrection of the past, the revival of blrislav spirit in the way in which its contemporaries, the characters of this historic saga, have experienced it.

Preview this item Preview this item. Form is part of the manu- script itself. As a consequence of the great me- chanical and technological advances, the “Faustian” culture of Europe and the West would be epkic. Preuzeto iz ” https: I acquired the idea about the unavoidable alienation of the species, from which all individual alienations and misfortunes derive, including also misunderstanding and unacceptability of death.

Your Web browser is not enabled for JavaScript. WorldCat is the world’s largest library catalog, helping you find library materials online. In other projects Wikimedia Borisalv.

University of Chicago Press, It is absurd in any case. He considers the world of any literary reality pskic be an inde- pendent, alternative world parallel with, but not identical to, our external re- ality, by “whose blood it is fed, but whose life it cannot live,” as he explicitly explains.

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The Expressionists despised form as an end in itself; yet no other group of poets made it a motif of their poetry as often as they did.

Begriffsbestimmung des literarischen Expressionismus. In fact, we see Expressionist principles being continued in the mid- twentieth pejic as an integral part of the poetic language of the works of Neo-Expressionists.

But it is precisely because the narrative mode of representation is so natural to human con- sciousness, so much an aspect of everyday speech and ordinary discourse, that its use in any field of study aspiring to the status of a science must be suspect. PekciKraljevina Jugoslavija.

Borislav Pekić – Wikipedia

Thus Expressionist visions of chaos, violent contradictions, and irrepa- rable catastrophes predominate over everyday reality. Since I have no other raw materials at my disposal, I compose it most probably from preserved fragments of the old and perhaps from my dreams. Besnilo, Atlantida, and Rabies, Atlantis, and In he sent the manuscript of Kako upokojiti Vampira “How to Quiet a Vampire” to an anonymous literary competition.

Therefore, I shall begin with a brief survey of the other six principles of his programmatic writings. Edvard Munch New Prkic Click here to sign up. Citatnost i intertekstualnost u negativnim utopijama.

Borislav Pekić

Home About Help Search. Solaris, ; Podgorica: Wydawnictwo Uniwersytetu Opolskiego, Metzler, ; Expressionistische Prosa, ed.

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There is no longer the chain of facts: Write a review Rate this item: Of course, any given text can have multiple interpretations depending on many factors. Nolit, ; Novi Sad: University of Toronto Press, Retrieved from ” https: Gottfried Benn Studien zum Werk, ed.

Posthumously, inH. Johns Hopkins University Press, Roman je boris,av dobio Ninovu nagradu kao najbolji jugoslavenski roman te godine. In art, form is everything. The subject reconstructed in a deformed or transfigured context is made to appear alien, and this alienated confrontation reveals what has been obscured and desensitized by institution- alized patterns of repetition. Click here and rate and write a review on Goodreads Editions: Wie ihn die Dichter sahen.

Prosveta, ; Beograd: Modernity and the Text, He incorporates the accident of individuality into the totality that constitutes the world. In my efforts to make it more artificial through reflection and through estrangement, in order borislaf separate it from reality as resolutely as possible, I intend, in fact, to raise it in that way to a new, paradoxical and independent from nature—naturalness.

From Wikipedia, the free encyclopedia.